• Leonid Kogan plays Mozart Violin Concerto No.3 & Mendelssohn Violin Concerto

    Leonid Kogan plays Mozart Violin Concerto No.3 & Mendelssohn Violin Concerto

    This release represents the last instalment of the six major stereo recordings that Leonid Kogan completed for Columbia. Although originally released in Mono only in the UK (Columbia 33CX 1744), in 1960 it was granted a commercial release in Stereo form (SAXF138) exclusively in the territory of France.

  • ERC041 John Lee Hooker - The Country Blues of John Lee Hooker

    ERC041 John Lee Hooker - The Country Blues of John Lee Hooker

    In 1959 John Lee Hooker was still releasing R&B-influenced electric blues with a rhythm section for Vee Jay Records when he recorded The Country Blues Of John Lee Hooker for Riverside Records; a welcome return to his original folk/traditional sound and a great example of one chord blues structure intermixed with Hookers unique vocal style.

  • ERC043 Gioconda De Vito Plays Bach's Violin Concerto and Mozart's Violin Concerto No. 3. Conducted by Rafael Kubelik

    ERC043 Gioconda De Vito Plays Bach's Violin Concerto and Mozart's Violin Concerto No. 3. Conducted by Rafael Kubelik

    By the early 1950’s De Vito was considered as Europe’s No.1 female violinist. Her expressive, improvisatory style of playing, slow vibrato and generous, warm phrasing, conveys a degree of emotional depth rarely encountered.

  • ERC Recreates Iconic Klemperer Beethoven Symphony Cycle Box Set

    ERC Recreates Iconic Klemperer Beethoven Symphony Cycle Box Set

    ERC have commenced the remastering of the complete Beethoven Symphonies and Overtures with the Philharmonia Orchestra conducted by Otto Klemperer. These legendary performances are being cut from the original master tapes in stereo over 13 discs on our Lyrec / Ortofon all valve vintage cutting system. For the first time all the Overtures will be included in the set; some of these have never been released in stereo.

  • ERC042M Kenny Dorham ‎– Quiet Kenny

    ERC042M Kenny Dorham ‎– Quiet Kenny

    “Quiet Kenny” was originally released on the New Jazz Label (NJLP 8225) in 1959. Not everything on the set is necessarily ‘quiet’ but the emphasis is on ballads and beauty of the trumpeters tone. Accompanied by pianist Tommy Flanagan bassist Paul Chambers and drummer Art Taylor, Dorham is heard in fine form throughout particularly on “Lotus Blossom”, “My Ideal”, “Alone Together” and “Old Folks”.

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Music for Viola & Cello Played By Herbert Downes & Jacqueline Du Pre

Although this disc is most famous for being Jacqueline Du Pre’s debut cello recital, we should certainly not bypass the marvellous contribution from the distinguished artist Herbert Downes. Born in 1909 Downes began playing the violin at the age of 10, before going on to study under both Paul Beard and the legendary Carl Flesch.  He was a founder member of the famous Philharmonia Quartet in England along with Henry Holst, Ernest Element and Anthony Pini.  Downes initial instrument of choice was the violin, but he later became more well known for his playing of the Viola. As an avid collector of instruments and bows he eventually acquired and played a 1560 Gasparo da Salò. These short works contained on the A Side of this superb disc showcase Downes skills an expert chamber music player of immense talent.

Jacqueline Du Pre was born in Oxford and commenced learning the cello at the age of five with Alison Dalrymple, she then went on to study with William Pleeth at the age of ten.  Only five years later she was enrolled to the Casals Master Class at Zermatt, Switzerland.  She made her formal début at the Wigmore Hall in March 1961 accompanied by Ernest Lush. It was her concerto début in March 1962 at the Royal Festival Hall, performing the Elgar Cello Concerto that propelled her career into the stratosphere – bringing spontaneous critical enthusiasm followed by global recognition.

It is quite remarkable to think that Du Pre was just 17 years of age when she recorded this first recital disc for HMV. Whilst listening one cannot help but think this is an artist who has already lived life to the full; her interpretation has a profound and identifiable maturity that suggests a level of life experience well beyond her young years. Du Pre’s later struggle with ill health in her late 20’s, which tragically prevented her from continuing to play the cello makes listening to this remarkable recital even more poignant; Du Pre was without doubt one of the finest cellists of the 20th Century.

Original tape (side B).

Original tape (side B).

Original tape (side B) detail.

ERC sleeve and record.